Anina Major Nassau, Bahamas, b. 1981

Anina Major’s decision to establish a home contrary to the location in which she was born and raised motivates her to investigate the relationship between self and place as a site of negotiation. By utilizing the vernacular of craft to reclaim experiences and relocate displaced objects, her practice exists at the intersection of nostalgia, and identity.

Major holds an MFA from Rhode Island School of Design. She is the recipient of numerous awards and residencies, including being a 2026 USA Fellow, finalist in the 2025 Loewe Craft Prize, winner of the Armory Show 2024 Pommery Prize, the 2023 Joan Mitchell Fellowship and the EKWC, Centre-of-excellence for ceramics international artist-in-residency. Major’s work has been exhibited in The Bahamas, Europe and across the United States, with a permanent display at the National Museum of African American History and Culture in Washington, DC.

Her work is included in permanent collections of the National Gallery of The Bahamas, the Museum of Fine Arts, Boston, Los Angeles County Museum of Art, Carnegie Museum of Art, Rhode Island School of Design Museum, the Perez Art Museum of Miami and Detroit Institute of Arts Museum, among others. Her work has also been featured in the New York Times, Forbes magazine and published in Phaidon Press Great Women Sculptors.

Works were recently shown at the Ford Foundation Gallery, Albany Institute of History & Art and

Museum für Gegenwartskunst Siegen in 2025 and are currently on view at the National

Museum of African American History and Culture in Washington, DC.