The "human forms" in my paintings are inspired by sensations formed through the accumulation of visual experiences. Building upon these feelings, I shape these quasi-humanoid figures resembling "information monsters" during the sketching process. Additionally, I have had a long-standing habit of discovering interesting images in daily life or on internet screens—usually those that catch my eye immediately—and collecting them as starting points for my ideas. Chinese calligraphy has also provided me with much inspiration; in many cases, each character written in calligraphy resembles the form of a person. I then combine graphics imbued with a sense of digital network information to shape the modern person who has undergone "alienation."