Drawing on the Percy Bysshe Shelley sonnet of 1817 which describes the folly of the tyrannical figure of Ozymandias, Hayoun’s painting exposes the false idols of contemporary America.

A cowboy on horseback positions himself as the central figure in this painting, only to have his path blocked by Hayoun’s alter ego, solemnly refusing the symbols of American capitalism; a broken iphone and a cheap McDonalds meal. Towering on either side of the path are dense forests populated with the artist's ancestors in the form of whirling dervishes, performing a ritual exorcism called the Rebabeya. Hayoun sits among these inverted women playing the rebab and in solidarity with all the oppressed and possessed with a force that cannot be contained.